Tirzah-Quartet's concerts can be purely musical events, but they can include various extras : 

 

 

1.  Combination of LIVE-MUSIC and NARRARION

2.  Combination of LIVE-MUSIC and the SCREENING of the ANIMATION-FILM "The Rain Horse"

3.  Miscelaneous pieces, JUST MUSIC

 

 

 1. Combination of MUSIC with NARRATION :

Tirzah-Quartet works with Narrator Mieke Paulussen for the project "Secret Lives", based on Filmworks XI.  

Zorn wrote this for the documentary "Secret Lives : Hidden Children and their Rescuers during WW II", by Academy award winning director Aviva Slesin.

Hidden Children and Rescuers are interviewed in this moving film.

Zorn writes in his liner notes : "The story of Jewish children saved from the Nazi murderers by non-Jews in the middle of the horrors of war is a complex and emotional one.  In doing the music I've tried to capture a sense of these intense and conflicting emotions while tying together the various stories by an intimate orchestration."

A few excerpts from the documentary :

Tirzah Quartet Secret Lives

Dutch rescuer  Johanna  Bosch van Drakestein  hid   Michel Nager in a suburb of Amsterdam. Though he called her ''Tante (aunt) Han,'  'says Nager, ''in a certain sense, she was our mother.''  Despite the danger of hiding Jewish boys because of their telltale circumcisions,  Mr. and Mrs. Bosch van Drakestein readily agreed to take in Michel Nager and his brother Freddy.    Shortly after, ''Tante Han's'' husband died suddenly, but she decided to keep on hiding the boys. After the war, Mrs. Bosch van Drakestein,   who had never had any children of her own, remarried and had two boys. She always felt that they were God's reward for having sheltered Michel and his brother.

Johanna Bosch " Unbelievable that nothing happened at that time. One day the doctor came, because Michel was ill. and he said : " you can tell me that these are your nephews ... we never believe it. But don't let them too much on the street"

.Michel : " the number of people who risked their lives was a very small minority.    It was nearly impossible to find a place to be hidden. My brother and I, went from place to place, until we came to Tante Han where we stayed the whole period."

Tirzah-Quartet Secret LivesJean Paul Goyens (rescuer, Antwerp, Belgium) 

in April 1943, the outskirts of Antwerp were bombed. I was 22 at that time.  I heard someone crying in a house : the house was shattered, there wereno windows."    

Rachel Lajzeowicz-Richter : "Jean Paul went looking for me and found me among the rooms of the house."  

Jean-Paul : "there was nobody there : just that little child that was injured at her right leg. So I took her to the hospital."   To find out who the girl was, Jean-Paul Goyens went back to the house where he had found her and discovered that she was a Jewish girl, already in hiding. But the people who had taken her in, were too afraid to keep her any longer.    

Jean-Paul : "so I asked my father if he could take an orphan - it was a lie -  an orphan whose parents had died in the bombing. And my fathe ragreed. But I didn't tell him that she was Jewish, I didn't dare to tell.    So we gave her the identity of a catholic girl, Irène Lefèbre, whose parents had died in the bombing.  With my sisters and Irène it was love at first sight. They had a doll,  because she was very tiny and she was extremely clever.

Irène : "Later, my adopted family, said that at night in my dreams, I spoke a very queer language, that sounded a bit like German".   

Jean-Paul : "... so, that was Yiddish, she was speaking Yiddish.  So I had to tell my father. My father knew the danger, but he said : ok. So everything was done for Irène : we were 6 children and she lived as the seventh child, very dear to us."    Irène, or Rachel is still alive today and lives in Israel.

 Tirzah-Quartet

The Rosciszewskis hid 19 Jews at their country estate outside of Krakow, Poland.

With them was 3-year old Paul Wagner and his mother Janina, daughter of the rescuers, (at that time 8 years old):  whenever the Germans were looking for Jews, I'd grab Paul's hand and say : "let's go for a walk in the forest". He knew that when the Germans came, we had to go for a walk."   One day, the Germans surprised them, and there was no time for everyone to get away.

Paul  : " when the Germans came, I was clinging for my mother. but Mrs Rosciszewski picked me up, and she told them that I was her son.  10 people out of the 19 were able to escape. 9, including my mother, were taken away and shot.  I was very young, very little when they took my mother away. So, Misses Rosciszewski raised me and she was like my mother, and he was like my father".Paul lived as a member of the Rosciszewski family until the end of the war.

 2. Combination of music with the SCREENING of the ANIMATION-FILM "The Rain Horse".

As part of their concerts, Tirzah-Quartet uses the screening of an animation film "The Rain Horse", to play the Filmworks-themes live with it.  (15 minutes)

In 2002, Zorn was contacted by Russion animation-filmer Dmitry Geller for the licensing of some existing themes for Geller's new short animation feature : "The Rain Horse".

Tirzah-Quartet Rain Horse

Upon seeing the movie, Zorn was fascinated by it and proposed to make an entirely new soundtrack for The Rain Horse.

Filmworks XIX is a recording with Rob Burger on piano, Erik Friedlander on cello and Greg Cohen on bass.  The movie has a warm and somewhat wistful soundtrack, which suits the movie well.

The film is not your regular feel-good animation film for a saturday night.  Instead, it is a deeply moving collage of poetic and symbolic images that has a powerful impact.  The animation by Geller is simply stunning.One of the underlying themes of the film is the power of the eternal Nature against the fragility of mortal life. This is shown through an old horse, on the verge of dying.  At that moment, a fantastic vision is endowed to the horse : it sees a world of endless love and beauty .At the end of the film, a young little horse shows us the image of the cycle of life.

 

 

Tirzah-Quartet wishes to thank Dmitry Geller for his cooperation and permission to use his movie on concerts.

 

3.  Miscelaneous pieces, JUST MUSIC.

At concerts, Tirzah usually plays a varied mix of this music : from Jewish to Latin-flavoured themes, from intimate and wistful to dynamic and vibrant.
Tirzah Quartet Rain Horse Zorn
The music of The Rain Horse is mostly performed with the screening of the film, but works as well as concert music.  The instrumentation is not unlike that of the soundtrack.
Themes from the Rain horse include : "The Stallion", "The Rain Horse", "The Encounter", "Bird in the Mist" etc...
 
 

 

 
The music from Secret-Lives works really well when linked to a Narrator telling the true stories of this documentary.  But some of the themes are performed as concert music, without Narrator. 
Themes from Secret-Lives include :  "Yesoma", "Shabbos Noir", "Ba'adinot" etc ...
 
Other Miscelaneous pieces that Tirzah performs regularly :
 
"Mamme Loshen"  from Filmworks XX, Sholem Aleichem
"Pales of Settlement" from Filmworks XXV, City of Slaughter
"Talking through Oblivion"  from Filmworks XX, Sholem Aleichem
"Besos de Sangre"  from Filmworks XXIII, El General
"Tree of Life" from Filmworks XIX, The Rain Horse
"Invitation to a Suicide" from Filmwoks XIII
"Femina end-titles"  (not strictly Filmworks, from Filecard piece Femina)
"Merkabah" from Filmworks XIV
"The Treatment" , from Filmworks XVIII, The Treatment.
"Book of Shadows" (from "In Search of the Miraculous", from the  series "21st Century Mystical pieces".
etc ...
 

3. Miscelaneous Filmworks Pieces 

At our concerts, a varied mix of Zorn's Filmworks pieces can be played live by Tirzah : from Jewish to Latin themes, from intmate and melancholic to  bright and upbeat.  From broad tapestries of sound to delicate repetitive laceworks.

The soundtrack from "The Rain Horse" can be played with or without the screening of the short animation movie.  Some intimate themes like "The Rain Horse", "Bird in the Mist" or "Tree of Life" are set against more vivid ones like "The Stallion" or "Danse Exotique". 

The themes that we play from "Secret Lives" can also be perfomed with or without a narrator.

More miscelaneous pieces in our repertoire  :

"Mamme Loshen"  and "Beyond the Pale",  from Filmworks XX,Sholem Aleichem

"Pales of Settlement" from Filmworks XXV, City of Slaughter

"Talking through Oblivion" from Filmworks XX, Sholem Aleichem

"Besos de Sangre" uit Filmworks XXIII, El General

"Tree of Life" from Filmworks XIX, The Rain Horse

"Invitation to a Suicide" from  Filmwoks XIII

"Femina end-titles" (from File-card-composition Femina)

"Merkabah" from Filmworks XIV

"The Treatment" and "Romance" from Filmworks XVIII, The Treatment.

"Book of Shadows" (from "In Search of the Miraculous", from the series of Mystical Pieces for the 21st Century)

Tirzah-Quartet works with Narrator Mieke Paulussen for the project "Secret Lives", based on Filmworks XI.  

Zorn wrote this for the documentary "Secret Lives : Hidden Children and their Rescuers during WW II", by Academy award winning director Aviva Slesin.

Hidden Children and Rescuers are interviewed in this moving film.

Zorn writes in his liner notes : "The story of Jewish children saved from the Nazi murderers by non-Jews in the middle of the horrors of war is a complex and emotional one.  In doing the music I've tried to capture a sense of these intense and conflicting emotions while tying together the various stories by an intimate orchestration."

A few excerpts from the documentary :

Tirzah Quartet Secret Lives

Dutch rescuer  Johanna  Bosch van Drakestein  hid   Michel Nager in a suburb of Amsterdam. Though he called her ''Tante (aunt) Han,'  'says Nager, ''in a certain sense, she was our mother.''  Despite the danger of hiding Jewish boys because of their telltale circumcisions,  Mr. and Mrs. Bosch van Drakestein readily agreed to take in Michel Nager and his brother Freddy.    Shortly after, ''Tante Han's'' husband died suddenly, but she decided to keep on hiding the boys. After the war, Mrs. Bosch van Drakestein,   who had never had any children of her own, remarried and had two boys. She always felt that they were God's reward for having sheltered Michel and his brother.

Johanna Bosch " Unbelievable that nothing happened at that time. One day the doctor came, because Michel was ill. and he said : " you can tell me that these are your nephews ... we never believe it. But don't let them too much on the street"

.Michel : " the number of people who risked their lives was a very small minority.    It was nearly impossible to find a place to be hidden. My brother and I, went from place to place, until we came to Tante Han where we stayed the whole period."

Tirzah-Quartet Secret LivesJean Paul Goyens (rescuer, Antwerp, Belgium) 

in April 1943, the outskirts of Antwerp were bombed. I was 22 at that time.  I heard someone crying in a house : the house was shattered, there wereno windows."    

Rachel Lajzeowicz-Richter : "Jean Paul went looking for me and found me among the rooms of the house."  

Jean-Paul : "there was nobody there : just that little child that was injured at her right leg. So I took her to the hospital."   To find out who the girl was, Jean-Paul Goyens went back to the house where he had found her and discovered that she was a Jewish girl, already in hiding. But the people who had taken her in, were too afraid to keep her any longer.    

Jean-Paul : "so I asked my father if he could take an orphan - it was a lie -  an orphan whose parents had died in the bombing. And my fathe ragreed. But I didn't tell him that she was Jewish, I didn't dare to tell.    So we gave her the identity of a catholic girl, Irène Lefèbre, whose parents had died in the bombing.  With my sisters and Irène it was love at first sight. They had a doll,  because she was very tiny and she was extremely clever.

Irène : "Later, my adopted family, said that at night in my dreams, I spoke a very queer language, that sounded a bit like German".   

Jean-Paul : "... so, that was Yiddish, she was speaking Yiddish.  So I had to tell my father. My father knew the danger, but he said : ok. So everything was done for Irène : we were 6 children and she lived as the seventh child, very dear to us."    Irène, or Rachel is still alive today and lives in Israel.

 Tirzah-Quartet

The Rosciszewskis hid 19 Jews at their country estate outside of Krakow, Poland.

With them was 3-year old Paul Wagner and his mother Janina, daughter of the rescuers, (at that time 8 years old):  whenever the Germans were looking for Jews, I'd grab Paul's hand and say : "let's go for a walk in the forest". He knew that when the Germans came, we had to go for a walk."   One day, the Germans surprised them, and there was no time for everyone to get away.

Paul  : " when the Germans came, I was clinging for my mother. but Mrs Rosciszewski picked me up, and she told them that I was her son.  10 people out of the 19 were able to escape. 9, including my mother, were taken away and shot.  I was very young, very little when they took my mother away. So, Misses Rosciszewski raised me and she was like my mother, and he was like my father".Paul lived as a member of the Rosciszewski family until the end of the war.

 

Filmworks Pieces with Animation Movie

Gepost in Filmworks pieces

 As part of their concerts, Tirzah-Quartet uses the screening of an animation film "The Rain Horse", to play the Filmworks-themes live with it.  (15 minutes)

In 2002, Zorn was contacted by Russion animation-filmer Dmitry Geller for the licensing of some existing themes for Geller's new short animation feature : "The Rain Horse".

Tirzah-Quartet Rain Horse

Upon seeing the movie, Zorn was fascinated by it and proposed to make an entirely new soundtrack for The Rain Horse.

Filmworks XIX is a recording with Rob Burger on piano, Erik Friedlander on cello and Greg Cohen on bass.  The movie has a warm and somewhat wistful soundtrack, which suits the movie well.

The film is not your regular feel-good animation film for a saturday night.  Instead, it is a deeply moving collage of poetic and symbolic images that has a powerful impact.  The animation by Geller is simply stunning.One of the underlying themes of the film is the power of the eternal Nature against the fragility of mortal life. This is shown through an old horse, on the verge of dying.  At that moment, a fantastic vision is endowed to the horse : it sees a world of endless love and beauty .At the end of the film, a young little horse shows us the image of the cycle of life.

 

 

Tirzah-Quartet wishes to thank Dmitry Geller for his cooperation and permission to use his movie on concerts.